Showing posts with label watercolour artist. Show all posts
Showing posts with label watercolour artist. Show all posts

July 26, 2016

Back to Earth


I am finally back gardening! It was hard to set aside so many cherished activities the past couple of months as I waited for my neck to get better. The good news is that it is improving with physiotherapy. The bad news is that the reason it was vulnerable in the first place is that I have osteoarthritis in my neck. That was hard to accept (especially when I got the diagnosis a day before my birthday) but I suppose finding that out is a good thing as I am learning to be kinder to my neck and not to take it for granted. 

Back in April, I started a big project: revamping the shady garden at the side of our house. The pathway was already there. I created it myself six years ago (paver by paver and wheelbarrow-full of gravel at a time). I still love the pathway but I wasn't happy with the garden. It was especially hard not to like it as it's the view from our dining room window. This is what it looked like in early April.

Pathway and perennial garden in early spring

I completely removed the not-so-great grass that bordered the narrow flower beds. It was a big job but Meeko helped (sort of).

My wheaten terrier Meeko helping me in the garden

I loved this photo of Meeko so much and the way he was looking at me over his back that I painted him in late April. Cutie pie.

Watercolor painting of my wheaten Meeko. Artist: Kathleen Maunder of Trowel and Paintbrush

Once the sod was removed, I added good soil, divided the perennials that were already there (bleeding hearts, astilbe, lady's mantle, masterwort, turtlehead, sidalcea, hostas) and rearranged things. I also removed a huge shrub that was past its prime. When I was doing all of this work in April and early May, I was kind of feeling like Superwoman. Well, guess what? I'm not. I'm human after all. An aging human, my neck reminded me in a not very subtle way. The garden waited for me while I adjusted my pride and learned to treat my neck better through improved posture and daily exercises. 

In the past two weeks, I was finally able to finish my garden project. I weeded, added a few new perennials (coral bells and a shasta daisy) and planted an annual passionfruit vine in a pretty obelisk that my husband Jocelyn gave me for my birthday. Some of the new additions need to fill out a little but now I absolutely love looking at this part of the garden! It feels peaceful and serene.

Garden pathway and perennials by Kathleen Maunder of Trowel and Paintbrush
Gravel pathway and perennial beds taken under the branches of a Japanese Maple tree. (Kathleen Maunder - Trowel and Paintbrush)
Tradescantia (spiderwort) and astilbe
Obelisk with passion flower vine and perennial bed
Shasta Daisy - Leucanthemum ‘Santé’

I am happy to announce that I have reopened my shop after having it closed for a month. Yay! I look forward to gardening and painting more in the weeks ahead and sharing my efforts here and on Instagram. Thanks so much for being here!


🌿 🌿 🌿 🌿 🌿


June 22, 2015

My New Website is Open!

www.trowelandpaintbrush.com
Happy summer, friends! (And happy autumn to those on the opposite side of the seasons!) In tandem with this lovely season's beginning, I am excited to announce that my completely revamped art shop/website is open! I hope that you visit and look around. It took me three weeks to get it ready and I hope it conveys a sense of me, my art, my heart and my appreciation for all those who support my 'métier'. 

If there is something on the website that could be better (whether big or small), I would appreciate you telling me. I value your opinion.

Thank you to all those behind the scenes I asked for advice and who gave me encouragement while I was building my website. I you.

To celebrate my opening, I will be tucking extra goodies in all orders received this week on www.trowelandpaintbrush.com. (Up to June 28th.)

And, of course, I will be adding more art to my shop on an ongoing basis.

Thank you for your support and inspiration! 

❤  ❤  ❤  ❤  

September 30, 2014

Sunny Days and Seashells

I didn't realize how very attractive sunflowers were to bees until two sunflowers seeded themselves near our back door this summer. I feed sunflowers seeds to the birds in our backyard so there are usually a few self-seeded sunflower gifts throughout the garden. These ones however are so close to the house that they provide the opportunity for close observation. As I have been going in and out of the door in the past few days, it is rare that I don't see at least one bee on the sunflowers.

Our garden has frequent bee visitors which makes me happy since I know that their population has been declining in past years mostly likely due to pesticide use, specifically neonicotinoids. In our garden, the bee magnets this year were bee balm (of course), lavender, salvia and the sunflowers.

While I love seeing bees everywhere, there is something particularly happy about seeing one on a sunflower. They look like they were made for each other.

Speaking of busy bees, I have been busy painting a series of small seashell paintings. I am painting three sets of three. If you follow me on Instagram, you will have seen their progress. I am now working on the last one. I love painting natural objects. I love the challenge of observing an object closely and conveying the detail while still maintaining a painterly look. 

The creation of this series is a bit of a story. I did the first three paintings two years ago after I received a gorgeous gift of shells from my Australian artist friend, Cindy Lane. I was experimenting with different papers at the time (I love doing that) and each trio of shells was painted on a different paper. 

Three small watercolor paintings of shells
That was great as an experiment but it meant that the three paintings didn't really work as a set to be sold together because of the different weight and textures of the papers. So I decided (with some encouragement from my daughter Emma) to paint three sets of three. Threes abound. I used Arches 140 hot-pressed paper, BFK Rives 280 gsm and Arches 300 lb hot-pressed paper. The shells I have used as my references for the paintings are a mix of the Australian shells I received from Cindy, ones I have collected on past visits to Maine and a piece of mother of pearl that was a gift from my friend Sonia in France.

While my favourite brush for just about any painting is my Isabey No 8 brush, these small paintings have had me using my 3, 1 and 00 brushes! Each painting is taking me several hours and sometimes more than one day. Each little shell, because there are no two exactly alike, presents its own challenges. I'll post a photo of the paintings once they are completely finished.

Collage of sea shell watercolor paintings




April 7, 2013

My Heart and My Art

I hesitated to write this but it's about something that has taken up a good part of my week, so here it is. I have been waiting over the past week for an answer to something. I applied to be part of an online market. It's not important which one. What I wanted to talk about was my reaction.

First of all, the wait was hard. It's a case of only being contacted when the news is good. That made the wait even harder as I was hoping until the very last moment that maybe I was included and that the response had been delayed. But the answer at this point is definitely no.

And why does that hurt so much? I've been thinking a lot about it the past few days. Why does rejection of our art hurt? I think it's because it is part of us. Whatever we create includes a piece of ourselves. When our art is rejected, someone can say 'Don't take it personally' but it does feel personal.

I know the rational side. My art wasn't a good fit with this particular market. My art doesn't appeal to the curator. They were looking for a different style. That category was full. There are any number of ways I could explain it to myself in a reasonable way.

I know the emotional side. They don't like my work. They didn't pick me. They liked others' work better. My work wasn't good enough. I feel mad. I feel sad. Oh boy! We artists can be hard on ourselves.

I have a trick for when I am having trouble dealing with something. I imagine what I would say if it was one of my daughters having the same problem. It quickly provides perspective. In this case, I would say: "It's okay and understandable to feel a bit sad about the rejection but it is important to remember that it is only the opinion of one person. That needs to be weighed against all of the very positive things that have been happening for your work and the wonderful support it has from people all around the world. Maybe there is something you can learn from this and then you need to move forward."

Well then, that feels better. Doesn't it? Having one person say no doesn't take a thing away from all of the other positive achievements.

This is the photo that accompanied by very first blog post.
Being able to sell art online is wonderful but it's hard too. I remember the knots in my stomach when I made my first blog post. I remember when I put those first few things in my Etsy shop. Unless you are creating only for yourself, there is risk attached to sharing your work with the world. There will be people who like it and people who don't. When I mentioned to a friend that I sometimes wondered if the representational way I paint excludes me from some things, she said that for every style of art there is an audience. She is right. My sales have been increasing lately. I have had sales to places as far away as Greece, Australia and New Zealand. I have lovely customers and have made some wonderful online friends. My shop is being noticed by more people. I am creating new work on an ongoing basis. I am growing as an artist. I am being true to my heart. I am proud of what I produce. I am having fun.

The paintings at the top and bottom are of practice exercises from a course I am taking on botanical borders and hand lettering. Wonderfully therapeutic work to engage the brain while the heart is figuring things out. :)
If there are occasional tears, I think that it is just part of being fully engaged in my art. Have you ever noticed the materials that I list in the 'item details' under my Etsy listings? I list the paper, the ink or paint and then always add 'my heart'. Because it's true, my heart is there. The note that I send with each order confirmation says "Thank you so much for ordering from me! Knowing that you like my artwork puts a smile on my face. :)" If you saw me at my computer when I get a new order or receive a compliment on one of my paintings, you would know that is a fact. I do smile--both inside and out. 

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